约翰·弗莱切

约翰·弗莱切（英语：John Fletcher，1579年—1625年），文艺复兴时期欧洲英格兰剧作家。他曾与弗朗西斯·博蒙特合作写作了几十部剧作和喜剧作品。另外，他还与莎士比亚合作，共同创作了《亨利八世》和《两个贵族亲戚》等作品。

John Fletcher (December 1579 – August 1625) was an English playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; during his lifetime and in the Stuart Restoration, his fame rivalled Shakespeare's. Fletcher collaborated in writing plays, chiefly with Francis Beaumont or Philip Massinger, but also with Shakespeare and others. Although his reputation has subsequently declined, he remains an important transitional figure between the Elizabethan popular tradition and the popular drama of the Restoration.

Early life

Fletcher was born in December 1579 (baptised 20 December) in Rye, Sussex, and died of the plague in August 1625 (buried 29 August in St. Saviour's, Southwark). His father Richard Fletcher was an ambitious and successful cleric who was in turn Dean of Peterborough, Bishop of Bristol, Bishop of Worcester and Bishop of London (shortly before his death), as well as chaplain to Queen Elizabeth. As Dean of Peterborough, Richard Fletcher, at the execution of Mary, Queen of Scots, at Fotheringhay Castle, "knelt down on the scaffold steps and started to pray out loud and at length, in a prolonged and rhetorical style as though determined to force his way into the pages of history". He cried out at her death, "So perish all the Queen's enemies!"

Richard Fletcher died shortly after falling out of favour with the Queen, over a marriage she had advised against. He appears to have been partly rehabilitated before his death in 1596 but he died substantially in debt. The upbringing of John Fletcher and his seven siblings was entrusted to his paternal uncle Giles Fletcher, a poet and minor official. His uncle's connections ceased to be a benefit and may even have become a liability after the rebellion of Robert Devereux, the Earl of Essex, who had been his patron. Fletcher appears to have entered Corpus Christi College, Cambridge, in 1591, at the age of eleven. It is not certain that he took a degree but evidence suggests that he was preparing for a career in the church. Little is known about his time at college but he evidently followed the path previously trodden by the University wits before him, from Cambridge to the burgeoning commercial theatre of London.

Collaborations with Beaumont

In 1606, Fletcher began to appear as a playwright for the Children of the Queen's Revels, then performing at the Blackfriars Theatre. Commendatory verses by Richard Brome in the Beaumont and Fletcher 1647 folio place Fletcher in the company of Ben Jonson; a comment of Jonson's to Drummond corroborates this claim, although it is not known when this friendship began. At the beginning of his career, his most important association was with Francis Beaumont. The two wrote together for nearly a decade, first for the Children and then for the King's Men. According to an anecdote transmitted or invented by John Aubrey, they also lived together (in Bankside), sharing clothes and having "one wench in the house between them". This domestic arrangement, if it existed, was ended by Beaumont's marriage in 1613 and their dramatic partnership ended after Beaumont fell ill, probably of a stroke, the same year.

Successor to Shakespeare

By this time, Fletcher had moved into a closer association with the King's Men. He collaborated with Shakespeare on Henry VIII, The Two Noble Kinsmen and the lost Cardenio, which is probably (according to some modern scholars) the basis for Lewis Theobald's play Double Falsehood. A play he wrote singly around this time, The Woman's Prize, or the Tamer Tamed, is a sequel to The Taming of the Shrew.