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Jennifer Weiner (born March 28, 1970) is an American writer, television producer, and journalist. She is based in Philadelphia, Pennsylvania. Her debut novel, published in 2001, was Good in Bed. Her novel In Her Shoes (2002) was made into a movie starring Cameron Diaz, Toni Collette, and Shirley MacLaine.

Background and education

Weiner was born to a Jewish family in DeRidder, Louisiana, where her father was stationed as an army physician. The next year, her family (including a younger sister and two brothers) moved to Simsbury, Connecticut, where Weiner spent her childhood.

When Weiner was 16, her father abandoned the family. He died of a crack cocaine overdose in 2008.

Her first novel, Good in Bed, is loosely based on her life: like the main character, Cannie Shapiro, Weiner's parents divorced when she was 16, and her mother came out as a lesbian at age 55.

Weiner has said that she was "one of only nine Jewish kids in her high school class of 400" at Simsbury High School. She entered Princeton University at the age of 17 and graduated summa cum laude with an A.B. in English in 1991 after completing a senior thesis titled "'Never Far From Mother—' On the Uses of Essentialism in Novels and Films."

At Princeton, Weiner studied with J. D. McClatchy, Ann Lauterbach, John McPhee, Toni Morrison, and Joyce Carol Oates. Her first published story, "Tour of Duty", appeared in Seventeen in 1992.

Career

After graduating from college, Weiner joined the Centre Daily Times, the daily newspaper of State College, Pennsylvania, where she managed the education beat and wrote a regular column called "Generation XIII" (referring to the 13th generation following the American Revolution, aka Generation X). She then joined Kentucky's Lexington Herald-Leader, still penning her "Generation XIII" column, before finding a job with The Philadelphia Inquirer as a features reporter. She wrote for the Inquirer while freelancing for Mademoiselle, Seventeen, and other publications, until after her first novel, Good in Bed, was published in 2001. In 2005, her second novel, In Her Shoes (2002), was made into a feature film starring Cameron Diaz, Toni Collette and Shirley MacLaine by 20th Century Fox. Her sixth novel, Best Friends Forever, was a No. 1 New York Times bestseller and made Publishers Weekly's list of the longest-running bestsellers of the year. Weiner has written nine bestselling books, including eight novels and a collection of short stories, with a reported 11 million copies in print in 36 countries. Her writing on gender and culture appears frequently in The New York Times.

In addition to writing fiction, Weiner was a co-creator and executive producer of the ABC Family sitcom State of Georgia, and she was known for "live-tweeting" episodes of the reality dating shows The Bachelor and The Bachelorette. In 2011, TIME named her to its list of the Top 140 Twitter Feeds "shaping the conversation." She is a self-described feminist.

Criticism of gender bias in the media

Weiner has been a vocal critic of what she sees as the male bias in the publishing industry and the media, alleging that books by men are better received than those by women—reviewed more often and more favorably. In 2010, she told The Huffington Post, "I think it's a very old and deep-seated double standard that holds that when a man writes about family and feelings, it's literature with a capital L, but when a woman considers the same topics, it's romance, or a beach book—in short, it's something unworthy of a serious critic's attention. ... I think it's irrefutable that when it comes to picking favorites—those lucky few writers who get the double reviews AND the fawning magazine profile AND the back-page essay space AND the op-ed ... the Times tends to pick white guys." In a 2011 interview with The Wall Street Journal blog Speakeasy, she said, "There are gatekeepers who say chick lit doesn’t deserve attention but then they review Stephen King." When Jonathan Franzen's novel Freedom was published in 2010 to critical acclaim and extensive media coverage (including a cover story in TIME), Weiner criticized what she saw as "overcoverage", igniting a debate over whether the media's adulation of Franzen was an example of entrenched sexism in the literary establishment. Weiner received some backlash from other female writers for her criticisms, but a 2011 study by the organization VIDA bore out many of her claims, and in an interview with The Daily Telegraph, Franzen said: "To a considerable extent, I agree. When a male writer simply writes adequately about family, his book gets reviewed seriously, because: 'Wow, a man has actually taken some interest in the emotional texture of daily life', whereas with a woman it's liable to be labelled chick-lit. There is a long-standing gender imbalance in what goes into the canon, however you want to define the canon."

Weiner has expressed ambivalence about the term "chick lit", embracing the genre it stands for while criticizing its use as a pejorative for commercial women's fiction. She has said: "I'm not crazy about the label because I think it comes with a built-in assumption that you've written nothing more meaningful or substantial than a mouthful of cotton candy. As a result, critics react a certain way without ever reading the books." In 2008, Weiner published a critique of Curtis Sittenfeld's review of a Melissa Bank novel, writing, "The more I think about the review, the more I think about the increasingly angry divide between ladies who write literature and chicks who write chick lit, the more it seems like a grown-up version of the smart versus pretty games of years ago; like so much jockeying for position in the cafeteria and mocking the girls who are nerdier/sluttier/stupider than you to make yourself feel more secure about your own place in the pecking order."