斯塔霍克

Starhawk (born Miriam Simos on June 17, 1951) is an American feminist and writer. She is known as a theorist of feminist neopaganism and ecofeminism. In 2013, she was listed in Watkins' Mind Body Spirit magazine as one of the 100 Most Spiritually Influential Living People.

Early life

Starhawk was born in 1951 in Saint Paul, Minnesota. Her father, Jack Simos, died when she was five. Her mother, Bertha Claire Goldfarb Simos, was a professor of social work at UCLA. Both of her parents were the children of Jewish immigrants from Ukraine.

During high school, she and feminist Christina Hoff Sommers were best friends. Starhawk received a BA in Fine Arts from UCLA. In 1973, whilst a graduate student in film there, she won the Samuel Goldwyn Writing Award for her novel, A Weight of Gold, a story about Venice, California, where she then lived. She received an MA in Psychology, with a concentration in feminist therapy, from Antioch University West in 1982.

The Spiral Dance

Following her years at UCLA, after a failed attempt to become a fiction writer in New York City, Starhawk returned to California. She became active in the Neopagan community in the San Francisco Bay Area, and trained with Victor Anderson, founder of the Feri Tradition of witchcraft, and with Zsuzsanna Budapest, a feminist separatist involved in Dianic Wicca.

She wrote a book, The Spiral Dance, on Goddess religion, which she finished in 1977 but was unable to publish at first. Feminist religious scholar Carol P. Christ included an article on witchcraft and the Goddess movement in the anthology Womanspirit Rising (1979). Christ put Starhawk in touch with an editor at Harper & Row, who eventually published the book.

First published in 1979, The Spiral Dance: A Rebirth of the Ancient Religion of the Great Goddess became a best-selling book about neopagan belief and practice. A 10th-anniversary edition was published in 1989, followed by a 20th-anniversary edition in 1999. The original text of The Spiral Dance was left largely intact for these editions, expanded primarily by introductions and commentaries reflecting on the book's origins, the rituals described, and the evolution of the author's beliefs and practices. Since its publication, The Spiral Dance has become a classic resource on Wicca and modern witchcraft, spiritual feminism, the Goddess movement, and ecofeminism. The work is distinguished by its visionary mysticism, "broad philosophy of harmony with nature," and ecstatic consciousness.

Beliefs

Starhawk believes that the Earth is a living entity, and that faith-based activism can reconnect oneself to basic human needs. She posits core religious values of community and self-sacrifice as important to eco-pagan movements, as well as the broader environmental justice movement.

She advocates combining social justice issues with a nature-based spirituality that begins with spending time in the natural world, saying that doing so "...can open up your understanding on deeper and more subtle levels where the natural world will speak to you."

Starhawk's activism is deeply rooted in an anti-war philosophy, as she believes that war teaches one to see people culturally different than themselves as inhuman and dangerous. She has written extensively on activism, including advice for activist organizers, examinations of white privilege within radical communities, and calls for an intersectionality of fighting oppression that includes spirituality, eco-consciousness, and sexual and gender liberation.

Feminism

Starhawk's feminism and spirituality are closely interconnected. Her ecofeminism links life-giving Mother Nature with the life-giving of women through birth, as well as the link between ecological destruction and patriarchal oppression under male-dominated Western political economies.

She calls for a reconceptualization of the way we think about power that is different from what she posits as our typical understanding of 'power over' others, and believes that patriarchal systems of oppression are dying out and will be replaced by more egalitarian structures that have existed previously with many women in positions of power, including as priestesses, poets, healers, singers, and seers. Such matrilineal lineages, she argues, have been erased from history because of their "political implications."

Starhawk argues that our patriarchal culture of domination has confused the erotic with domination and violence. Sexuality, she says, "...is sacred because through it we make a connection with another self — but it is misused and perverted when it becomes an arena of power-over, a means of treating another — or oneself — as an object." Such analyses of gendered power relations are explored in her books Webs of Power: Notes from the Global Uprising (2003) and Truth or Dare: Encounters with Power, Authority and Mystery (1988). In the latter, she links the rise of kinship to patriarchal domination, and traces a psychology of liberation in analyzing an oppressor she argues is embedded deeply in all of us, the 'Self-hater.' She is interested in how such oppressions can be reformed into new sources of power, particularly amongst women, that arise innately and reject dominion over others.

Her feminist writings have been used to analyze the differences between mainstream rhetoric and feminist rhetoric, particularly in relation to her motive of writing rhetoric as revealing immanent truths rather than being utilized for persuasion. She views this latter purpose of mainstream rhetoric as adhering to patriarchal logic, and her vision of 'empowered action' – which involves rejecting the tenets of the oppressive system and then openly challenging them – attempts to transform persuasive mainstream rhetoric to immanent feminist rhetoric.