彼得·马西森

彼得·马西森（英语：Peter Matthiessen，1927年5月22日—2014年4月5日），美国小说家、自然学家、作家。著名作品包括非小说《雪豹》、《疯马的精神》。

2014年4月5日，他因白血病死于纽约州，享年86岁。

Peter Matthiessen (May 22, 1927 – April 5, 2014) was an American novelist, naturalist, wilderness writer, zen teacher, and onetime CIA agent. A co-founder of the literary magazine The Paris Review, he is the only writer to have won the National Book Award in both nonfiction (The Snow Leopard, 1979, category Contemporary Thought) and fiction (Shadow Country, 2008). He was also a prominent environmental activist.

Matthiessen's nonfiction featured nature and travel, notably The Snow Leopard (1978) and American Indian issues and history, such as a detailed and controversial study of the Leonard Peltier case, In the Spirit of Crazy Horse (1983). His fiction was adapted for film: the early story "Travelin' Man" was made into The Young One (1960) by Luis Buñuel and the novel At Play in the Fields of the Lord (1965) into the 1991 film of the same name.

In 2008, at age 81, Matthiessen received the National Book Award for Fiction for Shadow Country, a one-volume, 890-page revision of his three novels set in frontier Florida that had been published in the 1990s. According to critic Michael Dirda, "No one writes more lyrically [than Matthiessen] about animals or describes more movingly the spiritual experience of mountaintops, savannas, and the sea."

Matthiessen was treated for acute leukemia for more than a year. He died on April 5, 2014, three days before publication of his final book, the novel In Paradise on April 8.

Early life

Matthiessen was born in New York City to Erard Adolph Matthiessen (1902–2000) and Elizabeth (née Carey). Erard, an architect, joined the Navy during World War II and helped design gunnery training devices. Later, he gave up architecture to become a spokesman and fund-raiser for the Audubon Society and the Nature Conservancy. The well-to-do family lived in both New York City and Connecticut where, along with his brother, Matthiessen developed a love of animals that influenced his future work as a wildlife writer and naturalist. He attended St. Bernard's School, the Hotchkiss School, and — after briefly serving in the U.S. Navy (1945–47) – Yale University (B.A., 1950), with his junior year spent at the Sorbonne. At Yale, he majored in English, published short stories (one of which won the prestigious Atlantic Prize), and studied zoology.

Paris Review and CIA

Marrying and resolving to undertake a writer's career, he soon moved back to Paris, where he associated with other expatriate American writers such as William Styron, James Baldwin and Irwin Shaw. There, in 1953, he became one of the founders, along with Harold L. Humes, Thomas Guinzburg, Donald Hall, Ben Morreale, and George Plimpton, of the renowned literary magazine The Paris Review. As revealed in a 2006 film, he was working for the U.S. Central Intelligence Agency (CIA) at the time, using the Review as his cover. In a 2008 interview with Charlie Rose, Matthiessen stated that he "invented The Paris Review as cover" for his CIA activities. He completed his novel Partisans while employed by the CIA. He returned to the U.S. in 1954, leaving Plimpton (a childhood friend) in charge of the Review. Matthiessen divorced in 1956 and began traveling extensively.

Writings

In 1959, Matthiessen published the first edition of Wildlife in America, a history of the extinction and endangerment of animal and bird species as a consequence of human settlement, throughout North American history, and of the human effort to protect endangered species.

In 1965, Matthiessen published At Play in the Fields of the Lord, a novel about a group of American missionaries and their encounter with a South American indigenous tribe. The book was adapted into the film of the same name in 1991. In 1968, he signed the "Writers and Editors War Tax Protest" pledge, vowing to refuse tax payments in protest against the Vietnam War. His work on oceanographic research, Blue Meridian, with photographer Peter A. Lake, documented the making of the film Blue Water, White Death (1971), directed by Peter Gimbel and Jim Lipscomb.