犀牛

犀牛 (1959)

Rhinocéros
戏剧荒诞派戏剧
作者
欧仁·尤内斯库
首版
1959 年
国家/地区
法国
Open Library
50 个版本

简介

Rhinoceros is a play by playwright Eugène Ionesco, written in 1959. The play was included in Martin Esslin's essay on post-war avant-garde drama "The Theatre of the Absurd", although scholars have also rejected this label as too interpretatively narrow. Over the course of three acts, the inhabitants of a small, provincial French town turn into rhinoceroses; ultimately the only human who does not succumb to this mass metamorphosis is the central character, Bérenger, a flustered everyman figure who is initially criticized in the play for his drinking, tardiness, and slovenly lifestyle and then, later, for his increasing paranoia and obsession with the rhinoceroses. The play is often read as a response to and criticism of the sudden upsurge of Fascism and Nazism during the events preceding World War II, and explores the themes of conformity, culture, fascism, responsibility, logic, mass movements, mob mentality, philosophy and morality.

暂无中文简介,这是英文维基百科「Rhinoceros (play)」的摘要,CC BY-SA 4.0

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