笑面人 (1869)

The Man Who Laughs (also published under the title By Order of the King from its subtitle in French) is a philosophical and dramatic romance novel by Victor Hugo, originally published in April 1869 under the French title L'Homme qui rit. It takes place in England beginning in 1690 and extends into the early 18th-century reign of Queen Anne. It depicts England's royalty and aristocracy of the time as cruel and power-hungry. Hugo intended parallels with the France of Louis-Philippe and the Régence.

The novel follows the life of a young nobleman who was disfigured as a child on the orders of the king. Exiled and renamed "Gwynplaine", he travels with his protector and companion, the vagabond philosopher Ursus, and Dea, who he rescued as a baby during a storm. The novel is famous for Gwynplaine's mutilated face, stuck in a permanent grin. The book has inspired many artists, dramatists, and filmmakers.

Background

Hugo wrote The Man Who Laughs over a period of 15 months while he was living in the Channel Islands, having been exiled from his native France after opposing the regime of Napoleon III. The title comes from verses in the author's Le Roi s’amuse (1832) where the jester Triboulet says, comparing his fate with that of an executioner « Je suis l’homme qui rit, il est l’homme qui tue » - "I am the man who laughs, he is the man who kills". Despite an initially negative reception upon publication, The Man Who Laughs is considered one of Hugo's greatest works.

In his speech to the Lords, Gwynplaine asserts:

Je suis un symbole. Ô tout-puissants imbéciles que vous êtes, ouvrez les yeux. J’incarne Tout. Je représente l’humanité telle que ses maîtres l’ont faite.

I am a symbol. Oh, you all-powerful fools, open your eyes. I represent all. I embody humanity as its masters have made it.

Making a parallel between the mutilation of one man and of human experience, Hugo touches on a recurrent theme in his work "la misère", and criticizes both the nobility which in boredom resorts to violence and oppression and the passivity of the people, who submit to it and prefer laughter to struggle.

In an unpublished note Hugo explained that the subject of the book is philosophical, not historical. "If this book relates to something, it is to the eternal nature of man, and not the transient. The action, no doubt, and this is the law of drama as it is the law of life, takes place in a country and in a time, but it takes place above all in the human soul. The reflection of a particular page of history which enlightens us all sets the location, but does not confine us within it. The infinity of the heart is not from any century. Man is not dated." In another shorter essay in his preface he said simply: "I felt the need to affirm the soul".

A few of Hugo's drawings can be linked with the book and its themes. For instance, the lighthouses of Eddystone and the Casquets in Book II, Chapter XI in the first part, where the author contrasts three types of beacon or lighthouse ('Le phare des Casquets' and 'Le phare d'Eddystone' – both 1866. Hugo also drew 'Le Lever ou la Duchesse Josiane' in quill and brown ink, for Book VII, Chapter IV (Satan) in part 2.

Plot summary

The novel is divided into two parts: La mer et la nuit (The sea and the night) and Par ordre du roi (On the king's command).

In late 17th-century England, a homeless boy named Gwynplaine rescues an infant girl during a snowstorm, her mother having frozen to death. They meet an itinerant carnival vendor who calls himself Ursus, and his pet wolf, Homo (whose name is a pun on the Latin saying "Homo homini lupus"). Gwynplaine's mouth has been mutilated into a perpetual grin; Ursus is initially horrified, then moved to pity, and he takes them in. 15 years later, Gwynplaine has grown into a strong young man, attractive except for his distorted visage. The girl, now named Dea, is blind, and has grown into a beautiful and innocent young woman. By touching his face, Dea concludes that Gwynplaine is perpetually happy. They fall in love. Ursus and his surrogate children earn a meagre living in the fairs of southern England. Gwynplaine keeps the lower half of his face concealed. In each town, Gwynplaine gives a stage performance in which the crowds are provoked to laughter when Gwynplaine reveals his grotesque face.

The spoiled and jaded Duchess Josiana, the illegitimate daughter of King James II, is bored by the dull routine of court. Her fiancé, David Dirry-Moir, to whom she has been engaged since infancy, tells Josiana that the only cure for her boredom is Gwynplaine. She attends one of Gwynplaine's performances, and is aroused by the combination of his virile grace and his facial deformity. Gwynplaine is aroused by Josiana's physical beauty and haughty demeanor. Later, an agent of the royal court, Barkilphedro, who wishes to humiliate and destroy Josiana by compelling her to marry the 'clown' Gwynplaine, arrives at the caravan and compels Gwynplaine to follow him. Gwynplaine is ushered to a dungeon in London, where a physician named Hardquannone is being tortured to death. Hardquannone recognizes Gwynplaine, and identifies him as the boy whose abduction and disfigurement Hardquannone arranged 23 years earlier. A flashback relates the doctor's story.

During the reign of the despotic King James II, in 1685–1688, one of the King's enemies was Lord Linnaeus Clancharlie, Marquis of Corleone, who had fled to Switzerland. Upon the lord's death, the King arranged the abduction of his two-year-old son and legitimate heir, Fermain. The King sold Fermain to a band of wanderers called "Comprachicos", criminals who mutilate and disfigure children, and then force them to beg for alms or be exhibited as carnival freaks.