伊菲革涅亚在奥利斯

伊菲革涅亚在奥利斯（古希腊语：Ἰφιγένεια ἐν Αὐλίδι）是古希腊剧作家欧里庇得斯现存的最后一部剧作品，该剧在公元前408至406年（欧里庇得斯逝世之年）间编写，并于逝世次年被他的儿子或侄子“小欧里庇得斯”首次演出。

该剧描述了巨人之眼之城的王阿伽门农带领联军出征特洛伊，然而军队在奥利斯受阻，请示当地狩猎女神之后，先知表示应当活人献祭，且献祭者就应该是阿伽门农之女，伊菲革涅亚。

Iphigenia in Aulis or Iphigenia at Aulis (Ancient Greek: Ἰφιγένεια ἐν Αὐλίδι, romanized: Īphigéneia en Aulídi; variously translated, including the Latin Iphigenia in Aulide) is the last of the extant works by the playwright Euripides. Written between 408, after Orestes, and 406 BC, the year of Euripides' death, the play was first produced the following year in a trilogy with The Bacchae and Alcmaeon in Corinth by his son or nephew, Euripides the Younger, and won first place at the City Dionysia in Athens.

Set prior to the commencement of the Trojan War, Iphigenia at Aulis revolves around the strong resistance by Clytemnestra to the decision of her husband, Agamemnon, the leader of the Greek coalition before and during the Trojan War, to ritually sacrifice and kill his daughter, Iphigenia, to appease the goddess Artemis. This would allow his troops to set sail to preserve their honour in order to battle and ultimately sack Troy, actions which would result in the killing of all of Troy's men and the enslavement of all of its women by Agamemnon and the Greek men. These latter events are central to several of the Greek tragedies such as Euripides' Hecuba and The Trojan Women, as well as Aeschylus' play Agamemnon.

The conflict in Iphigenia at Aulis also focuses closely on Iphigenia's initial resistance to the idea of dying/being killed and her relationship with her father and, to a lesser degree, on a young Achilles, who is drawn into the situation by Agamemnon. Also known to the audience of Athenians who witnessed the play's performance would have been the fact that, as a result of Agamemnon's actions, after the war he will be killed upon his homecoming by his wife, Clytemnestra, and that she in turn will be killed by her son, Orestes, in order to avenge his father. All appear in Iphigenia at Aulis.

Background

The Greek fleet is waiting at Aulis, Boeotia, with its ships ready to sail for Troy, but is unable to depart due to a strange lack of wind. After consulting the seer Calchas, the Greek leaders learn that this is no mere meteorological abnormality but rather the will of the goddess Artemis, who is withholding the winds because Agamemnon has offended her because his men have killed a sacred stag.

Calchas informs the general that in order to appease the goddess, he must sacrifice his eldest daughter, Iphigenia. Agamemnon, in spite of his horror, must consider this seriously because his assembled troops, who have been waiting on the beach and are increasingly restless, may rebel if the delay continues. He sends a message to his wife, Clytemnestra, telling her to send Iphigenia to Aulis on the pretext that the girl is to be married to the Greek warrior Achilles before he sets off to fight.

Plot

At the start of the play, Agamemnon has second thoughts about going through with the sacrifice and sends a second message to his wife, telling her to ignore the first. Clytemnestra never receives it, however, because it is intercepted by Menelaus, Agamemnon's brother, who is enraged over his change of heart.

To Menelaus, this is not only a personal blow (for it is his wife, Helen, with whom the Trojan prince Paris ran off, and whose retrieval is the main pretext for the war), it may also lead to mutiny and the downfall of the Greek leaders should the rank and file discover the prophecy and realise that their general has put his family above their pride as soldiers.

The brothers debate the matter and, eventually, each seemingly changes the other's mind. Menelaus is apparently convinced that it would be better to disband the Greek army than to have his niece killed, but Agamemnon is now ready to carry out the sacrifice, claiming that the army will storm his palace at Argos and kill his entire family if he does not. By this time, Clytemnestra is already on her way to Aulis with Iphigenia and her baby brother Orestes, making the decision of how to proceed all the more difficult.