The Tale of Timmy Tiptoes (1911)

The Tale of Timmy Tiptoes is a children's book written and illustrated by Beatrix Potter, and published by Frederick Warne & Co. in October 1911. Timmy Tiptoes is a squirrel believed to be a nut-thief by his fellows, and imprisoned by them in a hollow tree with the expectation that he will confess under confinement. Timmy is tended by Chippy Hackee, a friendly, mischievous chipmunk who has run away from his wife and is camping-out in the tree. Chippy urges the prisoner to eat the nuts stored in the tree, and Timmy does so but grows so fat he cannot escape the tree. He regains his freedom when a storm topples part of the tree. The tale contrasts the harmonious marriage of its title character with the less than harmonious marriage of the chipmunk.

The book sold well at release, but is now considered one of Potter's weakest productions. Potter never observed the tale's indigenous North American mammals in nature, and, as a result, her depictions are thought stiff and unnatural. Other elements in the story have come under fire: the rhymes, for example, reveal nothing about the characters nor do they provide an amusing game for the child reader in the manner of the rhymes in The Tale of Squirrel Nutkin. The storm in the finale is viewed as a weak plot device introduced solely to hurry the tale to its conclusion, and the marriage of the chipmunks has been described as "abrasive and shocking" and an impediment to the flow of the tale.

The tale's disappointing qualities have been ascribed to Potter's growing lack of interest in writing for children, to pressure from her publisher for yet another book, and to Potter's desire to exploit the lucrative American market. Potter's artistically successful books were written for specific children; Timmy Tiptoes however was composed for Potter's amorphous, ill-defined American fanbase. By 1911, the demands of her aging parents and the business operations at her working farm, Hill Top, occupied much of Potter's time and attention to the exclusion of nearly everything else, and are accounted as some of the reasons for the author's declining artistry and her lack of interest in producing children's books.

Characters from the tale have been reproduced as porcelain figurines, enamelled boxes, music boxes, and various ornaments by Beswick Pottery, Crummles, Schmid, and ANRI.

Background

Helen Beatrix Potter was born on July 28, 1866, to barrister Rupert William Potter and his wife Helen (Leech) Potter in London. She was educated by governesses and tutors, and passed a quiet childhood reading, painting, drawing, tending a nursery menagerie of small animals, and visiting museums and art exhibitions. Her interests in the natural world and country life were nurtured with holidays in Scotland, the Lake District, and Camfield Place, the Hertfordshire home of her paternal grandparents.

Potter's adolescence was as quiet as her childhood. She matured into a spinsterish young woman whose parents groomed her to be a permanent resident and housekeeper in their home. She continued to paint and draw, and experienced her first professional artistic success in 1890 when she sold six designs of humanized animals to a greeting card publisher. She hoped to lead a useful life independent of her parents, and tentatively considered a career in mycology, but the all-male scientific community regarded her as nothing more than an amateur and she abandoned fungi.

In 1900, Potter revised a tale about a humanized rabbit she had written for a child friend in 1893, fashioned a dummy book of it in imitation of Helen Bannerman's 1899 bestseller The Story of Little Black Sambo, and privately published her tale for family and friends in December 1901 after several publishers' rejections. Frederick Warne & Co. had earlier rejected the tale, but, eager to compete in the lucrative small format children's book market, reconsidered and accepted the "bunny book" (as the firm called it) on the recommendation of their prominent children's book artist L. Leslie Brooke. Potter agreed to colour the pen and ink illustrations of her privately printed edition, chose the then-new Hentschel three-colour process for reproducing her watercolours, and in October 1902 The Tale of Peter Rabbit was released.

Potter continued to publish with Warnes, and, in August 1905, used sales profits and a small legacy from an aunt to buy Hill Top, a working farm of 34 acres (13.85 ha) at Sawrey in the Lake District. In the years immediately following its purchase, she produced tales and illustrations inspired by the farm, its woodland surroundings, and nearby villages.

Potter produced two books per annum for Warne, but by 1910 she was juggling the demands of aging parents with the business of operating Hill Top, and her literary and artistic productivity began to decline. The Tale of Mrs. Tittlemouse was the only book Potter published in 1910. She wrote a friend on New Year's Day 1911: "I did not succeed in finishing more than one book last year ... I find it very difficult lately to get the drawings done. I do not seem to be able to go into the country for a long enough time to do a sufficient amount of sketching and when I was at Bowness last summer I spent most of my time upon the road going backwards & forwards to the farm – which was amusing, but not satisfactory for work."

She intended to follow Mrs. Tittlemouse with a tale about a pig in a large format book similar to the original Ginger and Pickles, but was forced to abandon the project after several unproductive attempts at composition. Instead, she occupied the winter of 1910–11 with supervising the production of Peter Rabbit's Painting Book, and composing Timmy Tiptoes, a tale about indigenous North American mammals.